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A Finished Flimsy Ready for Next Steps–the Longarm
Last week, I told you about this flimsy, my current project. It is based on Sandra Dallas’ novel, The Quilt Walk. In the story, Emmy Blue’s hand stitches a log cabin quilt as she travels west with her family in a wagon train. She sews the blocks, most reluctantly at first, as she walks alongside the wagon. In Dallas’ novel, Emmy Blue’s log cabin blocks are sewn in blue and white strips with a red center, and I followed her plans. Still, several differences found their way into my quilts: they are machine sewn, the fabrics are modern and playful, and I added blocks to make the quilt big enough for a pre-teen. Thus, Emmy Blue has nine blocks, but I have 16. My flimsy is about 52″ square.

I played with a couple of different settings. Log cabin lends itself to so many settings that choosing can be difficult. This variety is likely one of the reasons the log cabin is such a popular block. These three settings are my favorite:

1st option: Richard’s favorite, but I wasn’t real crazy about how it looks like I just threw four baby quilts together. 
2nd option: one of my favs, I called it “Flowing Water.”

3rd 0ption: another favorite, called “Center of Attention.” Which flimsy won in the end? Ta-da! This one!

FLIMSY WINNER! “The Center of Attention” Honestly, this flimsy came together quite easily, and I’m surprised it didn’t take longer, especially since I added three blocks to the original nine, then another four blocks to create another row. Even when I make a traditional quilt, I end up making improv decisions!
I hope your week is moving along nicely and that you are taking time for yourself by enjoying some stitching or crafting. Whatever it is that helps you to slow down and enjoy life. Don’t forget to get some sunshine (even if it’s cloudy) and to exercise. Care for yourself, and you can love those around you.

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Cotton Quilters’ Guild Surprise
I wrote this post for March 2025. (And maybe it was for some month well into the past.) Apparently, I scheduled it to publish–incorrectly. Of course, I didn’t have the
timesense to check whether it worked. Anyhoo (and toodly-do) here it is. I’ll post the April 2025 photos once I clean them up a little.My guild had its regular meeting on Monday. We had a number of show and share items, which I love. So I hope you enjoy this photo post.
The quilts












The projects








The lesson samples

Monday morning, I taught a lesson on improv curves. We had only a few hours, but my four students seemed to have a great time, and everyone walked away able to sew S curves. 
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Here Again But How Long?
A Side Note: Create Whimsy has as wonderful article about me! You can find it here.

The beginning. Choosing just the right fabrics for this quilt from my large round of blue 2 1/2″ strips and a rather meager round of off-white strips. My title is a little misleading. Again means simply at the sewing machine. I’m finally sewing the way I love it–however I want to! So yay, this quilt on the design wall here is now off the longarm! I’ve decided to hand-stitch the binding. I suppose I need to get my hands busy again. Anyhoo, while this quilt is on my favorite chair waiting for the needle to begin slow-stitching, there’s a blue and white log cabin under my machine needle. Let me tell you that story!

My modern guild had the great idea that we would each take a (mostly discarded) book, read it, and make a quilt inspired by the book. Every book has a quilt in it! But, we don’t have to follow the pattern exactly. Guess what we’ll do with the quilt and book? Donate them, together with a maker’s card, and they will be distributed to children in need.

I chose The Quilt Walk, by Sandra Dallas, which tells the story of Emmy Blue, a young girl traveling west with her family to build a new life. Just before she leaves, Grandmother surprises her with a small bundle: all the pieces to make a log cabin quilt. Of course, our protagonist hates sewing and any other quiet, lady work. She rebels until she realizes how boring it can become just walking alongside the wagon. Thus, her quilt walk begins. There are raging rivers, Indian attacks, rattlesnakes, and other obstacles along the trail. Emmy Blue learns many adult lessons and comes to understand Grandmother’s insistent desire that she learn how to be a lady.

Emmy Blue’s quilt has twelve squares, to make a nine-patch quilt. But I think that will be too short for a preteen even as a lap quilt, so I’ve added three blocks. And so, I’ve begun the log cabin quilt. Though not concerned with perfection, I will have a sweet quilt for a preteen. This is a wonderful way to enjoy my favorite hobbies and give back to the world just a little.

Everything for the next round is staged on the sewing machine for my next “quilt walk.” 
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Bed Quilts
This page is under construction. Finding the correct information for each quilt has proven to be something of a difficulty. Quilts with the Fleur de Lis Quilts watermark were made before marymarcotte.com was launched.

50th Anniversary Quilt; 2008; (made for Ellen and Riley Bourque) 
All Manner of Fabrics; 76″ X 80″; 2015 
The Quarry; 2016 
Kaffe Around the World; 2017 
Winter Doldrums Undone; 90″ X 96″; 2010 
Double Disappearing Nine Patch; 82″ X 86″; 2012 
That Big Chevron; 101” X 102”; Sept 2016; In One Day original pattern 
Paisley in Pictures; 60″ X 82; 2011

Emmy Blue’s Quilt; 51″ X 51″; 2025; 
Give Me Words; 54″ X 58″; 2020 
Louisiana Bayou; 2008 
Math Is an Expletive; 59″ X 59″; 2015 
Dee’s Dresden; 88″ X 90″; 2005 
Grandmother’s Fans; 2006 
Fantasy Garden; 2014 
Untitled; 2000; SOLD 
He Loves Me; 2012; SOLD 
He Loves Me More; 2013; SOLD 
2021 
Autumn Splendor; 80″ X 110″; 2010 
Daystar; 2023 
Adrienne; 73″ X 96″; 2013; SOLD 
Untitled 
To See Such Fun; 62″ X 62″; 2019 
Dahlias Do Grow in Louisiana Dirt; 74′ X 74″; 2008 
Citrus Sherbert, 50″ X 50″, 2023 
Building Blocks 1 (Catherine); 70 x 84; January 2016 
Building Blocks 2 (Sophie); 70 x 84; January 2016 
Amanda’s ULL Graduation; 2013; SOLD 
Murky Waters; 54″ X 56″; Jan 2017 
One Big Finish; 108″ X 100″; 2020 
Erica’s Hot Pink Girl; 84″ X 98″; 2019; SOLD
“Oh Mary, the quilt arrived today! It’s exactly what I wanted. It’s beautiful, thank you
for creating the quilt of my dreams!” -Erica
Modern Theory 2; 60″ X 72″; 2017 
Angled Surprise; 41″ X 48″; 2016 
Grandmother’s Garden, 
That Big Chevron; 101” X 102” Sept 2016; In One Day original pattern 
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Old Ohio Rose; 
Out of the Crayon Box: color in the lines; 96″ X 100″; 2010 
Sunbonnet in Blue 
All Manner of Fabric; 76″ X 80″; 2015; Top made by Volcie Lacombe before her death in 1991 and quilted in 2015 
Reflections in Gray; 70″ x 84″; 2012 (Quiltcon 2013) 
Le Boites de Fleurs; 2011 
Pink Roses Bedight; 28″ X 39″; 2013; SOLD 
Butterfly Garden; 2007 
A Pocketful of Posies; 
Go in Green; 2008; SOLD 
Donation quilt; 2016; SOLD 
Nimble and Quick; Nursery Rhyme Series; SOLD 
All the Games; 2008; SOLD 
Sophie’s Quilt; 40″ X 45″; 2011 
2007 
ROAR! The Dinosaur; 44″ X 48″; 2020 
Peter, Peter, Pumpkin Eater; Nursery Rhyme Series 
How does your garden grow?; 
Round Pegs, Square Holes; 
All About the Boxes; 48″ X 48″; 2020; SOLD 
Baby Bunting; 45” x 45”; March 2016; SOLD 

Yellow Chevron; 38” x 48”; September 2016 
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Les Batons 
Lola Modern; 41″ X 45″; 2013 
Favorite Fabrics; 54″ X 58″; 2020 
Untitled; ; SOLD 
Volcie’s Legacy; 41″ X 41″; 2012 
Hunter’s Quilt; ; SOLD 
How Does Your Garden Grow?; Nursery Rhymes Series 
Stormy’s Anchor; 50” x 50”; Sept 2016; SOLD 
2008 
Organized Chaos; 
The Best Bug Collection; ; SOLD 
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A Touch of Teal; 35″ X 46″; SOLD 
AmandaJean’s QAL; 50″ X 50″; 2017 
Hot Diggity Dog; 48″ X 48″; 2017; Nursery Rhymes Series (fabrics left from AmandaJean QAL) 
Around a Girl’s World 
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Fetch a Pail of Water; 40″ X 40″; 
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Angled Surprise; 41″ X “48; 2016 
Baby Bunting (Scrap Quilt); 45” x 45”; September 2016 

Around the Mulberry Bush; 
Modern Scrap Sampler; 37″ X 44″; 2016 
Tranquility; 55″ X 60″; 2016
(Inspired by Cindy Grisdela’s Adventures in Improv Quilts)
Solicitude; 45″ X 60″; 2017
(Inspired by Cindy Grisdela’s Adventures in Improv Quilts)
Pretty Maids in a Row; 41″ X 42″; 2016 
Alan’s Crown Royal Quilt; 67 x 82; May-18 -
Memory/Tee-shirt Quilts
The quilts in this section are not labeled to protect the owners’ privacy.
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Art Quilts

Drop Cloth; 2018; 31″ X 31″ 
Momma; 2020; 20″ x 23″ 
Daddy’s Barn; 2013; 34″ X 52″ 
Mayeux Barn; 2014 
Row Houses; 2020; 30″ X 27″ 
The Old Cotton Gin; 2014; 26″ X 46″ 
Red Poppies; 28″ X 24″; 2022 
River; 28″ X 24″; 2022 
Inspired by window at Church of the Little Flower in Evergreen, LA 
Volcie’s Buttons; 
Wooden Bowl with Citrus; 2018; 25″ X 30″ 

Challenge Quilts (2)

Ansel Adams’ Glasses; 2024; 24″ X 24″ 
Above the Trees; 24″ X 25″; 2023 Bipolar Disorder Series (4 quilts)




Teaching Samples

Almost in Church Sample 1; 2024 
Almost in Church Sample 2; 2024 
Dresden Plate Sampler 
Grow Your Garden Sampler; 2020 
Grow Your Garden Sampler 1; 2024 
Grow Your Garden Sampler 2; 2024 
Teaching Applique Sampler; -
How to Organize Fabric Scraps for Quilters
I spent Sunday afternoon cleaning up, putting away, and organizing in the sewing studio. It was unreasonably calming and refreshing, at the same time. You can’t imagine how much difference it has made. Anyway, I was well into the third pile of scraps and thought this mess could become a tutorial.

Bins in cubbies with fat quarters and precuts nearby. Oh, what a great organizational system. (If only it always looked this way.) So, here we are. Understand that there were several piles to organize. Much of it was in a basket that collected cut-offs, pieces of blocks–that I had spent hours searching for–rejects, and even a pair of small scissors that managed to work its way to the very bottom and rest there for what has probably been months. Ah, but now I’ve got you! And you will scissor!
The cast-offs from Ryder’s safari quilt created a second pile. This one I tossed into the trash. Pulled most of it out to use as test scraps. Then tossed into a different trash bin. I am likely going to play that game until Richard empties the bin. Let’s hope he doesn’t discover the pieces and think they are there by accident because he will set them aside. Oh, don’t think this pile was an easy fix. Tossing fabric is a serious quilt crime!
The third pile contained scraps from a sweet friend who appliques the most beautiful tops. She brought three small shopping bags, filled to the brim of gorgeous fabrics. Much of it Kaffe Fasset!

I like to dump the pile out of the container and spread it out. It’s easier to organize since I can see it better, but pieces can escape. Of course, I don’t mind. They show up again…usually when I sweep.

a pile of blues All of my scraps are organized by color (see the photo above). While I use rainbow order, I’ve added a few colors to the list. Currently, I have neutrals, pink, brown, and black in addition to roygbvi. Perhaps I should add a teal/turquoise bin, and split the neutrals to white and off-white.
I don’t worry with ironing because I always press scraps as I pull them for use. They get pushed and smushed as I add more to the bin, so they’ll be wrinkled no matter what I do while sorting.

The bins I made years ago for the old studio are still working in this one! Prints with lots of colors have always been a organizational problem for me. Background colors have been the biggest factor in my decision-making. I’ve also tried to solve it by separating novelty fabrics into a separate theme, but that hasn’t helped. So now I take a different approach. I decide where a particular scrap should go based on color and use. For example, all four of the pieces below are children’s novelty and, obviously, the two on the right could go into the pink bin–though the one with the white background might also fit in a white group.

Where, oh where, do you go? The two on the left could also fit in a white group. In the end, however, I put all four in the pink group. The prints for all four give a childish, playful vibe. They all have some pink. I will likely use them in little girl quilts, and I use lots of pink in little girl quilts. Thus, chances are I’ll see them as I dig through the pinks.

A question that people often ask is what do I do with oddly shaped pieces? Cut them into particular sizes/shapes? I do not cut scraps unless doing so clearly makes sense. I want my scraps to be as big as possible. Cutting them down when I use them is always an option. But there are instances. I cut the pieces in this photo for two reasons: they can’t be used as they are, and they’re messy in the bins.


So, I cut the brown one into two pieces, keeping the wider section as large as possible. The blue I cut into three pieces, angling the cuts so that I was able to keep the triangular shapes. They certainly aren’t perfect triangles, but I can work with them from this point forward.

Two more strange pieces to figure out how to handle. Here they are below. Cut and separated so you can see where the cuts are. The blue and white will probably be cut again to create a triangle with the one on the right and depending on what I need, either a long strip or two math shapes I can’t remember the names of.

I simply cut the lime/blue in the skinniest sections. I still have a few options when recutting, but it won’t tangle up as easily. All of my cuts were made with my favorite scissors or the rotary. I don’t worry about straight cuts or finished pieces. The idea is to get them into bins. This lime/blue one went into the green bin, but it could have just as easily gone into the blue or red ones. It so happens that there were lots of blue scraps. There you go…my theory or method of scrap sorting. Very scientific and time-consuming.
Just for fun, here’s a post about how I organized my studio when it was first completed, and an old Sunday Quilt Inspiration from 2018 with lots of Pinterest photos.

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And the beat goes on… or does it?
A Side Note: Create Whimsy has as wonderful article about me! You can find it here.
Now that the holidays are over, I can get back to making quilts for grandies. I’ve had a pretty hard rule of not making the quilts for special occasions. That is because I do not like deadlines. At all. I’ve done my share of meeting deadlines. Quilting is supposed to be relaxing and enjoyable. The stress of meeting a birthday or graduation or wedding date is not for me.

The blocks I started at retreat. Quickly, I fell in love with the design possibilities! The quilt is about 35″ square in the picture at right. 
Lately, I’ve been making quilts for the grandchildren as I get to them. But that got me into warm water (as opposed to hot water) because I put off making quilts for the youngest set. A gentle reminder put me into gear. And I am now working on the last of that set of grandies. They are six and seven years old, so obviously I needed a little nudge. Find Emile’s quilt here and Ryder’s quilt here.

This last quilt began with a packet of 5″ squares. I picked up two intending to make Amelia’s quilt as simple and fast as possible. But I found myself at retreat when I started and something–I know not what–moved me to cut the squares diagonally and add a red strip in. Ahh, it makes for a sweet little block. Oh, but, the extra sewing added only a small increment to the size of the block. So now, weeks later (the holidays ate into my sewing time) I have 170 or so blocks but a top that measures only 60″ X 70″. It needs to be much larger. But don’t you know it? I’ve run out of the red fabric for the center strip

At the beginning of January, the quilt had grown to about 50″ square. More blocks needed It’s been fun playing with the blocks and creating designs. I wanted a very modern improv vibe. After discovering what I could do with the darks and lights, I began taking advantage of them to make the mazes move in various directions rather than just squares.

Arranging and rearranging. This playing takes lots of time! In the end, when I discovered a design I liked, I pinned everything in place. Of course, I was hopeful that I wouldn’t mix them up as I removed each row. Some quilting straight pins with numbers were helpful in keeping things in order. And today, the top is as far as I can get it until I find suitable fabric to add borders. Thus far, I have not found more of the red Boho Moda fabric. I’ll try a few more shops or perhaps just dig through my stash in a day or so.

All done for now. Some of those corners look pretty good! Amelia is excited to “find my way out of the maze!” It has taken lots of photos and re-arranging. Amelia came in one day and moved a few blocks around, but I certainly could not remember which ones they were! At some point, I gave up creating a design and began putting blocks on the wall all willy-nilly. Only to have them fall off while I slept. Usually dragging a few along for the ride. If only they would multiply at night. I needed rabbit blocks but had popcorn blocks.

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Meet my new baby!
I have been hoping for a sweet little Singer Featherweight for so long. I imagine anyone who quilts or sews hopes for one of these. We, Richard and I, have been watching to find one at a good price. I haven’t been very consistent with my search. It seems like a waste of time to keep looking for an affordable machine when they are outrageously priced.

The pink scissors are about 7 inches long, and the bed of the machine is not much longer. So, I’d look for a few days then give up. Richard, however, is one determined guy. He decided that this Christmas would be the one. I was completely clueless. What a wonderful surprise! It’s a 221 but one of the small ones. Extra light. It came with the case, but nothing else, so I’ve ordered extra bobbins. Later, I’ll add a few more attachments, but a straight stitch is all I need. I’ve used it already to sew some blocks for Amelia’s quilt. It sews like a dream.

But it didn’t at first. Rich had to work on it a bit, as it was skipping stitches. I’d tried several things, but nothing worked. It took him about 30 minutes to open her up, clean and oil, and set the timing. Now it sews a dream of a stitch!

We had such a laugh at ourselves. The light would not come on, and the bulb had a gray look to it, so we gave up trying to turn it on. Later, I wanted to turn the machine off and pushed the little button you can see in the photo. Plink! The light was on! Between us there are over 50 years of using and fixing sewing machines…and we couldn’t turn on the light!

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Christmas… is it really over?
Not in the Marcotte home. We always wait until after Epiphany to take down the tree, pack up the nativity, and roll up the leftover paper. The wise men need to visit, after all. It gives me some down time to truly appreciate our many blessings.


Meanwhile, I’ve been working on the last of the grandie quilts (more on that later) and embroidering some small Christmas ornaments for the coming year.


This embroidery business is taking over! It started with the nativity scenes that are on the tree now. Then, we discovered another stash of thread in my mother-in-law’s things. I decided to put those on reels and add them to my already huge collection.

But I saw a squirrel of snowflakes on another blog and followed the link. I am now the happy owner of 400+ embroidery motifs. Of course, it took a long minute to figure out how to print what I needed. Adobe couldn’t just do! So I created my own snowflakes to practice on. Not bad, really, but now I can do it correctly. Hopefully I’ll get better results.

I started just folding the fabric to find the center and used the creases to draw lines with a Frixion marker, which is removed with heat. The designs are stitched in an improv manner.

Finally, this afternoon I finagled a solution and printed my first snowflakes. Aren’t these going to be sweet? I was able to reduce them to fit my 2.5″ embroidery frames, which will also hold the pieces for hanging.












